i’m writing this post on tuesday because by the time you read it, i’ll be on my way to nashville with ellen, where we will exhibit at the super summer knit together market day. i am pretty excited about this trip; i lived in nashville during the early 1990s for a few years, when it was a fairly sleepy small city. now it’s grown and changed so much; i can’t WAIT to see it!
this will be a great opportunity to see our friends from the area; if you plan to come to the market day on saturday, be sure to stop by and say hello. we’ll have knit naked bags, all manner of patterns, and BNWs yarns in old favorites as well as the new colors we’ve been teasing on social media. plus, glamorous samples from ensemble collections and my own design portfolio will be on display.
such as this costa figueira pullover tunic in deco fingering yarn, in the chrome shade—one of a few fresh samples knit in a newer yarn. i just love it and will probably be wearing it on saturday.
it is SO cool. very many thanks to ellen’s friend coletta, who knit it for us. i’m sure she has an awesome ravelry page but i don’t know her rav name!
and then our long-time friend kathy knit this caïssa cardigan in ginny DK, our lusciously soft blend of cotton/alpaca/merino in the mississippi shade. doesn’t ellen look gorgeous wearing it? i had it on too (caïssa is an old favorite) but my photo doesn’t do the sweater justice and i think you’d rather see it on ellen anyway.
colletta and kathy really pushed the pedal to the metal on these and got them done in just a couple of weeks—there’s still time to knit one and wear it for late summer, just when you’ll be looking for a sweater to throw on at the end of the evening . . .
and of course you’ll be able to see and fondle the extravagantly soft oana cardigan designed by elena nodel for the BNWs winter 2017 ensemble collection. the sample is knit in BNWs chebris sport, one of our luxury mohair offerings.
this design would look (and feel!) fantastic in the über-soft soufflé shade, new to the chebris line.
if i could give you a squishing experience with these skeins, i would—i think it’s the softest shade yet, so yummy. it’s a beautiful oatmeal color, threaded with a mix of warm brown, white, and gray fibers. it maintains that silvery sheen that polishes all of the shades in our mohair lines (the secret to that is great quality mohair fiber).
also super-floaty in cabécou brillant sport, if you like that extra hit of luxury with your cardigan. we just got restocked in a shade we haven’t had for ages—check out the new batch of poivre.
by the way, doug tells me that in may and june, sales of the oana pattern raised $2,115 which we are forwarding the go fund me for elena’s cancer treatment. thank you to everyone who purchased a donation pattern or yarn kit during our fundraising period; they are almost at their goal!
behind the scenes here, the office has been abuzz with the activities of packing and prepping for SSK. ellen has been preparing and packing samples and kits for the booth, doug pulled many skeins of our most luscious yarns to fill our cubbies, and Cardigan supervised; nothing gets by her.
at the house, i washed and freshened up a selection of other favorite samples to display front and center, along with the new samples i showed you at the top of the post. we are ready to greet you, nashville knitters—come visit our booth!
in designing news, i’ve been diligently (and pretty monogamously) knitting my way up the back piece of my aspergillum tunic, which i’m enjoying immensely. with no shaping to keep track of, this stitch pattern becomes totally engrossing and addictive to work. mean, really—i can hardly tear myself away, and not just because i have a deadline.
addiction leads to great progress and i can often finish off a 24-row repeat in couple of hours of morning knitting. i will confess, i don’t keep track of my knitting time too carefully (and why? that would totally defeat the purpose).
even the wrong side texture of this fabric is amazing i think; i just love it to bits.
anyway, i’m almost done with the back now—that pink marker is the underarm point and i am a repeat or so past it today; two repeats for the armhole depth and less to start the back neck shaping. this top has shaping for both the front and back neck because the neck band is wide. also, beause i like summery tops to be a bit more open at the neck.
i do think, however, that i might have fashioned the front neck to be a little too deep for the width. i’ve ben changing my mind every day about whether to go back in and remove a bit from the shoulder height. for fitting me personally, i think i should do it, but i’m more “shallow” at the neck and armholes than most people. i know i can add it back into the pattern before tech editing if it seems too high later on—that would be a minor change.
i just love this photo that i took yesterday, of the unfinished back and the blocked front, side by side. i’m so excited to be in the home stretch on this design; i’ve been patient til now but i want to see how it all pulls together. keep your fingers crossed for me!
ok, gotta go now and finish up my packing. i’m bringing my tunic project to finish, along with some secret design swatching and a travel project i started in may—my see the sea shawl design in our smoothie gradient (i’ll show you that next time).
i’m pretty sure that Someone doesn’t know i’ll be gone for a few days; it’s hard to convey to her what’s happening without making her nervous. she’s learning to be secure, but not sure yet. i feel bad that for her, i will just disappear without any explanation. un fortunately, she doesn’t FaceTime yet.
at least i know she’ll be in good hands while i’m gone . . .