leading the parade of accessory projects from our mood swings 2017 club, polypore was a popular shawl right off the bat. with its intriguing hem shapes and deliciously wavy pattern embracing a crescent-shaped garter stitch body, this design was attractive to the color enthusiasts, technique junkies, and shawl lovers among us.
its ability to be knit in a single, luxury shade, a variegated colorway, and two (or more!) contrasting colors gives it that special flexibility a club knit requires—there is something for everyone here.
the original sample was knit in two shades of zen yarn garden serenity silk +, custom dyed for the first club installment, one mood and one lifter. the bright color accents the waviness of the lace pattern used in the deep hem sections, as well as outlining the irregular edges.
we sold out on both colorways almost immediately, so for this general release, we had to come up with a different way to show off the design.
for our reknit we chose a subtle, elegant approach by working with a single shade of bare naked wools chebris lace in frappé. this nearly cream shade is laced with silvery threads of gray, lending it a gorgeous patina. with this option, the openwork is more of a feature, as is the textural depth of the garter stitch stripes—a great way to show off a single skein of luxury yarn.
the hem begins with a very large cast-on number that is quickly reduced after a few simple stockinette rows to form a curling, organic edge.
the design was inspired by groupings of bracken mushrooms (or polypores) that i discovered while walking cardigan in the rain last spring. when i saw their shaped edges, i immediately thought, what a pretty shawl hem that would be!
using two colors or a single variegated colorway enhances the dramatic wave motion within the stitch pattern and the short row shaping of the shawl body. you could also use a contrasting yarn type, rather than a contrasting color—pairing deco lace, for instance, with the chebris lace to create shiny contrasting bands and liquid body in garter stitch. a bit more subtle but still a standout feature.
the oversized cables hugging each side and outlining the dramatic neckline are Sooo sexy—you just want to eat them up. the neckline cables diverge from a center front detail that gives the appearance of a deeply plunging neck, but the actual opening is quite modest and flattering even when worn without another layer underneath.
the cable love doesn’t stop there—those lovely serpentine ropes extend all the way around the shoulders and across the back to form a continuous chain along the back yoke. the texture is simply to die for—deeply sculpted, slinky, and beautifully defined.
the sweater body is constructed in round from hem to underarm, where it divides into front and back yokes. the sleeves are knit flat and have a fitted cap; they are seamed and stitched into the body after the yokes are sewn together.
my friend barb has knit one for herself in the milk and honey shade, a beautifully soft, creamy color—check out her project page if you’re curious about knitting this in a summery shade!
i want to get another one on the needles very soon in stone soup fingering yarn—i’m eager to see the effect in a tweedy version. i have swatches that are making me drool over it already, mmm.
want to know more about this utterly wearable, all-season pullover? or ready to purchase a pattern or kit?
click here to purchase the pattern in our online shop and click here to purchase the kit with choice of yarn and pattern. if you purchase a kit and prefer the pattern in your ravelry library, please mention that in the comments at checkout and david will make sure you receive it there. click here to view all of the 2018 ensemble yarn kits.
if you receive our newsletter each week, you may already know that my edison shawl design made it into the mason-dixon march mayhem bracket, neck and shoulders category.
O.M.G.—this was totally unexpected and thrilling; thank you ann and kay!
and voting begins today, so don’t waste a minute—please skedaddle over to the MDK website to cast your votes (and please save one vote for edison, ok?).
this silvery, somewhat slinky (but not too), wedge-shaped shawl is such a great add-on piece for any season—cool and smooth in bare naked wools deco fingering yarn, it is just the thing wonder woman would pull from her belt to toss over those bare shoulders when the breeze kicks up.
it can also be wrapped much closer to the neck as a warming layer in windy weather, then unfurled to drape over evening wear, once inside. this design was the final installment in the 2017 bare naked knitspot club and was a real hit with our members—visit the edison project page to see some of their beautiful results and helpful comments.
while the lace pattern looks terribly complex with criss-crossing lines and knots, it is actually a quite straightforward ribbing arrangement with few moving parts. the secret lies in a couple of cable crosses every so often that squeeze the ribbing together, first in one column, then the next—and wah-LA!—you’ve got yourself a web of intrigue.
the knitting begins with just a few stitches and increases along one side only. then, just when you might be getting a wee bit bored with that ribbing pattern, the openwork melts into a series of large, bell-shaped ribs that form the finishing edge, ruffle-like but not ruffle-y.
using a yarn with a soft sheen and silky hand will highlight the embossed patterning throughout the shawl body. the pattern includes two sizes—petite and tall—but is easily resized to suit a particular yardage (or if you run short, unplanned). it would be lovely in BNWs hempshaugh fingering with it’s silky, airy hand or ginny sport with its flowing, cashmere-y drape. and how about fresh lace? with its linen/silk content, it’s a natural for summer loveliness. or treat yourself to the original deco fingering yarn!
to vote in the march mayhem bracket, please visit mason-dixon knitting and cast your ballots! and while you’re there, please also vote for mary o’shea’s marabou mitts, knit in confection sport yarn and included in the mini skeins bracket. we are so excited and happy for mary and for BNWs representation!
oh these little breaks that tell us spring is planning to come for a stay! we had the most beautiful skies this past weekend—blue, blue and clear. we don’t get many of these during any season in ohio, so a short string of them feels like a big treat. the temperatures are still low, but it was excellent water for long walks and we took advantage of it.
back lit tips of emerging bulbs are glowing (hyacinth, i think? if not, then tulips).
and thick clumps of daffodils, growing slowly because it’s still very cold, most days.
and then there’s today—nature trying furiously to make a blizzard and throwing one last winter tantrum to do it.
we just have to ignore these kinds of days and think about blue skies. fortunately we have knitting to curl up with and if we’re lucky, a warm cuddly doggie.
for all who have asked, we are so warmed by your kind, thoughtful wishes—cardigan got her fixator out at the end of january with a bit more mending to do, but has progressed remarkably well. i have an update planned for the next blog, maybe even cajoling her to write along with me.
back in december i started a sweater for david, a very simple design tailored to his specifications. i think i had the sleeves nearly complete when i last wrote a post (i know; i’ve been horribly negligent, ugh), but much progress was made after that point.
i’m knitting with festivus 4.0 sport—a soft, springy, 2-ply merino that is spun from several natural shades, light to dark. festivus 4.0 is overdyed in the cranberry crush colorway by julie asselin and knits into a soft, flannely fabric with lots of squish factor. the random arrangement of the underlying shades creates a softly shifting gradient pattern—this is the same yarn that we sell undyed as our patchwork fingering (more on that later).
the day we went in for cardigan’s x-ray and surgery to remove her fixator, i cast on the for sweater body in the waiting room and worked on the hem ribbing. we had quite a wait so i was able to complete all of that by the time the doctor came out with an update.
afterward though, it appears that the knitting on this moved forward at a turtle’s pace, because i had only completed a few repeats of the body pattern by the time the olympics began.
i did take a timeout to complete some terrifically fun colorwork projects for our february pairings club installment. i love knitting colorwork and i kind of fell down a rabbit hole with these, knitting more samples than i really needed. in fact, i still have one till cowl on the needles and another one planned.
i just can’t get enough of this project—the yarn, the pattern (super easy to memorize), and the speed with which it can be knit are all enticing. it made me want to pair the gradient colorway with several different shades of kent DK, some subtle and some more contrast-y. so fun! i do like the tide poolshade best with the feederbrook entropy yarn (custom dyed in the sweet corn colorway for our club), but the rest are close runners up for me and here i have it paired with mussel shell for maximum contrast.
anyway, by the time i took a bit of a breather, the olympics were about to begin and ellen started a KAL in our rav group. i was ready to switch gears and knit something simple and soothing—binging on colorwork in DK weight yarn was making my hands a little sore.
i didn’t reach far to pick a project—for me it was getting ahead on the red sweater and with any luck, finishing it (because my original goal was to complete it by valentine’s day but that would be a real stretch). no worries about sore hands here—this yarn couldn’t be cushier; it’s so soft and easy on my hands, yum. and the design is partly mindless; an intuitive knit/purl pattern for the body, egging me on to finish another eight row repeat. it really goes fast!
the olympic KAL (officially known as the ravellenics) must’ve been just the kick in the pants i needed. suddenly i was making grand progress. there were snowy days when i’d make huge leaps in the length of the body, sometime neglecting other duties. but a guy sweater really demands a certain commitment, being at least one-third larger than the size i’m used to knitting for myself, hehe.
another thing that kept me knitting steadily was watching the gradual color changes in the fabric—they are so subtle and ethereal, more like washes than stripes or banding. you almost can’t see them most of the time in the skeins that david chose. of course there ARE skeins with more contrast and activity, but he’s attracted to quieter patterns.
and look what cardigan and i found on valentine’s day, right in the middle of sweater construction—the perfect natural expression of what i was knitting! she wasn’t as excited about our find as i was, but she pretended to be, sniffing deeply when i pointed them out.
i’m kind of kicking myself because i can’t remember exactly where we saw these and now i’m wondering if they would produce a nice dye. i think i know where to look for them again; i’ll let you know i find them.
cardigan was still mending some last fractures that showed up in her jaw x-ray and waiting for the swelling to go down, so between excursions out of doors, she slept a lot and enjoyed having me nearby, knitting and listening to books. within the first week of the olympics, i had the body knit to the underarms and was able to take some photos with the sleeves arranged next to it.
this was my first chance to see how my color shading was working out; i wanted to make sure that when i got to the sleeve/body join, i would be knitting with yarn that was approximately the same shading all around. i’d left the yarn attached to each sleeve so i could decide later which ball would join the sweater pieces.
finally it was long enough to join—but that’s when the real challenge begins because the rounds were SO long—around 400 stitches at the start of the underarm. i remember that i started the yoke during a wednesday knit night at the shop. suddenly progress slowed to a snail’s pace and at the same time, i had to take care of some other work that i’d been procrastinating on. by the next tuesday, i was only a few inches past the underarm with only five days to go til the end of the olympics.
but my deadline had been met, so my knitting time was freed up to finish.
by saturday night, the yoke was complete and i grabbed a quick photo of the finished body on sunday morning, once i had some light. i still had to knit the neckband though and got busy right away.
this is always such a nail biter for me; while i can make pretty good estimates about how many sts to pick up, i never know until the band is complete and off the needles whether it’s just the right fit—and so much depends on it being correct. the band is the final and most visible finishing detail; if it’s loose and crinkly, it won’t just look bad, it won’t maintain a nice tension around the neck either and the sweater could slip around. the added structure of a firm-fitting neckband is especially important on a seamless raglan like this one. but if it’s too tight, it will pinch the fabric unattractively and possibly not fit over the head.
it’s not uncommon at all for me to reknit bands—even a couple of times if i’m not happy. but man bands? the thought of it exhausted me.
fortunately, i got lucky and the band worked out perfectly and i had a finished sweater by early afternoon on sunday. AND david says he likes it (i know that might mean he doesn’t really like it, but i prefer to live under the illusion that it’s true). he tried it on and it fits really well. we washed it and it barely changed size, growing just a little in length; similar to the results with my swatches. he hasn’t worn it yet, but i’m hoping i’ll see it on him soon.
i think he’s afraid i’ll stalk hime with the camera if he puts it on, haha.
david’s red version is really a prototype for a final design that will be slightly different—he wanted his sweater completely free of details, but i like the idea of a narrow cable defining the body and raglan lines.
so i’m in the process of knitting a second sample in the “real” design, this time using the undyed patchwork fingering yarn (i selected the light print option). i’ve got my sample nearly done and i’m SO in love with it. the pattern will be forthcoming as part of a small spring collection i’ve been working on—more on that in upcoming posts.
well, the skies have brightened a bit but the snow is still drifting down and it’s windy and COLD—just 24 degrees, brr. i’m not sure spring is in the air just yet (but just a few days to go before it’s supposed to show up so . . .).
i have to stop writing now, because cardigan and i have an adventure planned. we’ve been working with a trainer a bit and today we are going to his place to meet his dogs and do some socializing. it’s been quite a while since she had an outing with other dogs and i think it’ll be a lot of fun; we’ll be back in a couple of days to share all of her latest news.